New York City Ballet's artistic director Jonathan Stafford and associate artistic director Wendy Whelan pose inside the lobby of the David Koch Theater at Lincoln Center, Thursday, Feb. 29, 2024 ...

Led by the former Royal Ballet principal Miyako Yoshida, the company made its European debut with “Giselle,” showing itself ...

As surely as Alexander the Great plowed through the known world in his day, those starving Russian emigres rolled across America and built a ballet audience where none had been before. A new ...

All of that goes someway toward explaining why the Joffrey, which is run by artistic director Ashley Wheater and President ...

How do you make dance more than a passive viewing experience? Choreographers Clare Dyson and Jordan Fuchs have never met and work half a world apart — she in Australia, he in Texas — but they ...

"Ballet Under the Stars" will again light up Valley parks with dance magic, and all you need to bring is a lawn chair.

The results show that audience enjoyment of a dance performance depended to a large extent on how expressively the dancer performed. Expressive dance sequences were enjoyed significantly more by ...

A Global Dance Sampler. This article is from the archive of The New York Sun before the launch of its new website in 2022. ... “You’ll find your ballet audience and your flamenco audience, but I don’t ...

Combining abstract neoclassicism with an audience-friendly edge, the evening sums up the style and ethos of an artist who has always loved to splice the elite world of ballet with popular culture.

This post was updated March 12 at 8:59 p.m. With “Homecoming,” the American Contemporary Ballet takes audiences back to school by combining drill team choreography with 1980s nostalgia.

At Boston Ballet's sensory-friendly "Nutcracker" performance, tablets are allowed, as are audience noise and movement. Headsets are available with narration. Ernesto Galan ...

Colorado Ballet has put a warning label on "Casanova," noting that it might not be suitable for all audiences, because it's a ballet that’s not afraid to get a little, or a lot, sexy ...