Whitney Houston, Celine Dion and ... Betty Boop. How David Foster went from recording studios to the Broadway musical stage.

For Tony winner Bob Martin, March 11 will likely go down as the trickiest day of of his entire career. He wrote the book for ...

Despite a strong lead performance by Jasmine Amy Rogers, fun songs and nifty designs, this cartoon of a show remains stuck in ...

In a season saturated by on-stage screens and projections, Boop! has by far the most inventive use of them, taking the black-and-white color scheme of Betty’s old cartoons (which projections ...

Betty Boop has tumbled out of her black-and-white cartoon world into moden-day New York City with all its vibrant sights and ...

Until this point, the entire production has conspired to exist in black and white ... As luck would have it, Betty lands at Comic Con, where she fits right in and meets the most nonthreatening ...

What’s not to love about Betty Boop ... and forges a show wherein Ms. Boop undergoes a kind of early midlife crisis and craves a vacation. Thus she exits her black-and-white world via a ...

Two hours and 30 minutes, with one intermission. At the Broadhurst Theatre, 235 West 44th Street. She may be playing a two-dimensional character, but she’s one he ck of a triple threat.

Who’s Betty Boop? Beyond the iconography you might have ... the ensemble flips around in costumes that are half color, half black-and-white. If her character remains obscure, at least Rogers ...

“Boop! The Musical” — now playing ... The premise, though silly, is the least of it: Betty, a quasi-human cartoon in a black-and-white world, stars in animated Fleischer Studios shorts.