Picasso and Braque Go to the Movies Positing the theory that cinema revolutionized human perception of time, space and motion, art dealer-cum-producer/director Arne Glimcher ("Mambo Kings ...

Braque and Picasso—who were like mountain climbers, so Braque later recalled, bound together in the development of Cubism—represent divergent attitudes toward modernity.

Marvelous documentary ‘Picasso and Braque Go to the Movies’ explores how the founders of Cubism were inspired by early filmmaking. By Peter Rainer Film critic May 30, 2010, 2:33 p.m. ET ...

A rambling slap-up of images, “Picasso and Braque Go to the Movies” provides a cinematic equivalent of what one critic famously called a cubist painting by Marcel Duchamp: an “exp… ...

Before Picasso and Braque, artists had been using what would go on to be known as collaging techniques. Trompe l’oeil allowed artists to mimic the effect of combining different objects onto a ...

Seventy-three original prints by three masters of lithography and etching -- Pablo Picasso, Georges Braque, and Fernand Léger -- are exhibited in the Glendale show. News. Sports.

Pablo Picasso and Georges Braque, in 1910, turned the modern art world on its head with their flat, fractured paintings filled with geometric shapes. And they did it again, in 1912, when Cubist Juan ...

Picasso and Braque assume control of a universe that places not humanity but the artist/creator at its core: an antipodal realm of endlessly shifting perspectives and scattered signifiers, ...

Arne Glimcher's new film, 'Picasso and Braque Go to the Movies,' explores how turn-of-the-century cinema in Paris might have influenced and been reflected by Cubism.

Georges Braque, born in Argenteuil, France, in 1882, was a pioneering figure in the development of Cubism alongside Pablo Picasso. Braque studied at the École des Beaux-Arts in Le Havre and later ...