and the sub-human poverty of a standard DCP), but it something very different to see a cool young filmmaker so enthusiastically nerd out about the perforations on the side of an Ultra Panavision ...

“Sinners,” which exceeded box office expectations in its opening weekend, is playing in Imax 70mm in only 10 theaters worldwide. Cinephiles excited about the unique Imax 70mm format traveled ...

all shot with Imax and Ultra Panavision cameras. More unusual, and to the consternation of rival executives, Abdy and De Luca agreed to return ownership of “Sinners” to Coogler after 25 years ...

It also made history as the first time that a film was shot using two different aspect ratios (Ultra Panavision 70 and IMAX, for the film enthusiasts) and the first time a film was released ...

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He used Ultra Panavision 70mm and IMAX 70mm film for the picture to display the wide and detailed visual quality. The director's use of IMAX and Ultra Panavision 70mm film produced stunning colors and ...

Aspect Ratios with Sinners Director Ryan Coogler After making sure everyone is up to speed, Coogler then explains how he and his team shot “Sinners” on two camera systems: Ultra Panavision 70 ...

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“It was very freeing.” In the end, they decided to employ a combination of IMAX film and Ultra Panavision 70, an even rarer format that Quentin Tarantino resurrected for “The Hateful Eight.